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Tuesday, July 31, 2012

Darrell Roberts on The Wrighter

D. Roberts -10"x8" watercolor pencils on gessoed masonite boardz

Today’s featured artist is Chicago based artist, Darrell Roberts.  He’s even been gracious enough to include his version of Munch’s “The Scream.”   As far as the work of other artists goes, Roberts gravitates to (and perhaps may be influenced by) DeKooning.


“…the one I keep coming back to is DeKooning's ‘Excavation’ painting at the Art Institute of Chicago. The painting always holds my attention, takes my brain into a world of wonderment and love looking at the layers and layers he painted out and over and over each other.”


Background from and about the artist:
Darrell Roberts is a Chicago based artist represented by Thomas McCormick Gallery, Chicago. His artwork is full of intense colors and textures as he draws his influences from the lakefront path of Lake Michigan, the Chicago skyline and construction sites in the city. Darrell has a Bachelors in Art History from the University of Northern Iowa, a Bachelors of Fine Arts and Masters of Fine Arts in studio art from The School of the Art Institute of Chicago. Darrell Roberts is a painter’s painter. He is interested in the physical act of painting. Immersed in a life time of art history, Darrell responds, views and reacts to the mammoth wall size paintings of the 1950′s. By creating thick visceral paintings, Darrell squeezes those paintings down to small scale paintings which still have the same amount of power to capture the viewers attention in the same amount of wall space while having a Contemporary painting feel.

Which is your favorite work of yours and why?

Here is one of my favorite paintings I created. I love the intensity of colors, the thick brushstrokes, opaqueness and textures. It is small scale 10"x8"x2" oil and pumice on canvas. Pumice is a texture I mix into my paints made from volcanic ash. This painting still makes me happy every time I look at it.

by D. Roberts

What is your favorite thing you've purchased in the last 30 days and why?

My Kindle Fire is my favorite thing I have purchased recently. It fits perfectly in my hand on the go and for long hours. I take it everywhere. I can read books, watch movies in color with great clarity, check my email and Facebook on it and it is so slim it fits in my tiny shoulder bag I carry with me.


What do you think about "The Scream" auctioning @ $120 million on May 2nd?

I believe it is absolutely awesome The Scream sold for $120 million. It makes me proud that something that can only be made by an individual person can gain so much value and worth through the decades. It really goes to show how art can be more valuable than money and that says a lot.


One hundred years from now, what do you want people to think/ remember about you?

I want people to remember that I was happy with life and worked with what I was given. I made the best of every situation. I am proud to have taken advantage of my opportunity of life and live it to the fullest every day.

To learn more about Roberts and his work, visit: http://darrell-roberts.com/.

Monday, July 30, 2012

Contemporary from Belize


In a few short months, The Wrighter will begin exploring contemporary art from the Central American country of Belize.

Why Belize?

This decision started with a seed of desire – a wouldn’t-it-be-nice-to-have-your-work-in-Belize….  So like most artists who want to find gallery representation, I did my homework to find out which would be a good fit for my work.  You know what I found?  None of the galleries (that had websites) that I could find were matches for me.  All the galleries I initially found listed online carried the touristy stuff, you know, paintings of brown men fishing or beach scenes, tropical birds and flowers.

None of this was interesting to me.  Surely I knew why such work was flooding the Belizean galleries, but what I was interested in, were artist who had voices.  I was interested in seeking artist who had a desire to express their world view, not just in churning out paintings to satiate the wealthy traveler.  I had to dig a little deeper.

Through a bit of effort I was able to find what I was looking for, however, it has not been quite as much as I wanted so I’ll have to dig deeper still.   I am excited, though, about the prospect of covering new or little known (by me) artists in the Belizean Contemporary Art world.  If you have any insight into this world or know of a Belizean contemporary artist, I’d be grateful if you could point them in my direction.

After August, when I stop talking about “The Scream” (there is still more to come about that) and once I find out how some artists have spent their summer, I’ll be ready to introduce you to some Central American art that just might influence you in unexpected ways – sort of like how all the artists I’ve been interviewing since May have influenced me.

I hope you stay with me on this journey.  It will be a very interesting one.  If all goes well, perhaps I’ll be able to take a trip (or two) to find artists myself.
Let me not get ahead of myself here… we’re still talking about Munch.

Saturday, July 28, 2012

Nuler for the Pop King


Next month is Michael Jackson’s birthday (and mine too) so I thought I’d get a jump on any tributes created to him by submitting a nuler poem from my book titled “50.”

50” is a volume of work dedicated entirely to the late great “King of Pop.”

It’s also available on Amazon – in case you were interested… Click here.






Hands Over Head, Knees Bent, Whip Head Forward, Shake Hips, Shake Arms, Walk – One, Two, Three, Legs Out – In – Spin Three Times, Head Snap, Pull Up Pant Legs, Hop On Tips Of Toes; Spin Once Legs Out, Collar Up, Small Hop, Legs Askew, Push Jacket Sleeve Up; Spin, Tap Chest, Roll Wrist, Pop Chest; Spin, Small Hop Lift And Kick Out, Swing Leg, Bring Down, Jiggle Legs; Spin, Moonwalk – Two, Three, Four…


Again from the top…

Five, six, seven, eight…





Friday, July 27, 2012

Learning How to Fall in the Pit Past the Wall


The folks who know me, know that I’m a super ambitious crazy woman!  And by “crazy” I mean delightfully whimsical, strong-willed, tenacious and persistent. 

Contrary to what some may think, every blue moon I get a little discouraged by some event I’m trying to blast through that feels like a wall delaying and impeding my progress.  I have a whole world to conquer, the last thing I need is a wall! 

In the case of the following article I’m posting from my favorite newsletter, ETR, I’ll refer to such obstacles as pits.  Stay with me, I’m switching metaphors here.  Author, Paul Lawrence recalls his life lessons (and class lessons) on falling and how to absorb the shock of it.  

Perhaps if we rid ourselves of the fear of falling, we can disolve our fears of hurdling the pits we encounter… putting us that much closer to our conquering missions.  I hope you get something out of this one.  It’s a good one.  Enjoy.


Learning How to Fall

By Paul Lawrence

When I found that I could earn college credits by taking judo, I jumped at the chance. I'd been taking karate for a couple of years, and I was pretty good at it, if I do say so myself. I was used to getting punched and kicked, so I figured judo wouldn't be any big deal.

As I entered the first class, I felt pretty confident. The instructor gave me a hearty welcome and explained that judo was basically like wrestling. I paired up with a guy about my size, and the instructor said to "give it a go." My opponent quickly grabbed me and flipped me over his back and onto the mat. The pain was excruciating. All I could do was lie there in shock. This sure wasn't karate!

If I hadn't needed the credits to graduate, I may never have gone back. But I did need the credits, so back I went. And in the next class, my instructor taught me something that changed the way I have since thought about all challenges - physical or mental, personal or business. He taught me how to land.

Landing in judo involves twisting and absorbing the impact of the fall in your leg and hip while slapping the mat with your hand. Do that, and it doesn't hurt at all.

Once I knew how to protect myself by landing right, I lost my fear of being flipped. A few weeks later - despite being such a novice - I agreed to participate in a judo tournament. And because I was no longer afraid of getting flipped, I actually won a few matches.

It's amazing how much self-assurance you can suddenly have when you know how to negate the risk of something that had seemed frightening. Of course, learning how to "land" is different depending on the challenge you're facing. But as long as you know how to minimize the potential "pain," you can take on almost anything.

Here's another example. When I first began doing stand-up comedy, I was terrified that people wouldn't laugh at my jokes. My fears, it turns out, were well-founded. I bombed the first time I performed my act in front of an audience. I was so bad, the crowd booed me off the stage. And the agony of that experience dwarfed any physical pain I'd ever felt.

Shortly thereafter, I began training with professional comics in a weekly workshop. There I learned that when you tell a joke that bombs, you've got to acknowledge it to the audience. They will usually laugh and be happy to give you another chance. So if I told a joke that got zero response, all I had to say to keep the audience on my side was, "Wow, I guess that joke sucked! It sure seemed funnier when I wrote it."

The technique worked. No longer afraid of trying out jokes that might tank, I became fearless onstage. (And I still am.)

Learning how to fall in both judo and comedy gave me massive courage where I had once been apprehensive. And this confidence-building technique applies in almost any challenging situation. I call it "The Antidote Strategy."

Being self-confident can help you get a job, win a new client, or get other people on your side. It can help you try a new hobby, lose weight, or even get a date. By developing an "Antidote Strategy," you can guarantee that you'll be at your best when attempting to succeed at just about anything.

Here is how to put The Antidote Strategy to work:

Identify the possible negative outcome of the challenge.

Let's face it. A lot of things you could do that might help you become more successful are risky. Let's say you've been working on a new project idea. And to show your boss how creative and innovative you are, you want to present the idea at the company's next staff meeting. But you're afraid.

So Step One of The Antidote Strategy is to determine exactly what it is that you are afraid of. Will you feel stupid if your idea is rejected? Will you be disappointed? Will you be embarrassed?

Create or find a way to prevent that negative result.

Don't try to reinvent the wheel. Do some research. Chances are many other people have struggled with the same type of challenge and have come up with a good way to deal with it.

Let's go back to our example. The experts I polled suggest a method similar to the one I use as a comic: self-deprecation. If your new project idea is ridiculed by your boss and co-workers, brush it off. You really can win people over by being humble - maybe even getting a laugh. So just smile and say something like, "You're right. I guess that wasn't one of my brighter ideas. But I've got more. You'll be hearing from me again."

No matter how scary the challenge you are faced with, remind yourself that you have nothing to fear. You are prepared. If the worst happens, you have an antidote.


A lack of confidence prevents many people from achieving their full potential and reaching their goals. But with your safety net in place, you'll have a winning edge - the inner strength to take a chance and boldly "jump off buildings"... because you know you won't get hurt.


Thursday, July 26, 2012

With Much Gusto: Helene Ruiz, Featured Artist

Helene Ruiz's version of "The Scream" titled, "Silent Scream"
Helene Ruiz, a New York City native, drew before she ever spoke and credits her father for nurturing her creative interests.  She says it’s in blood.  Now who’s going to argue with that?   

 What is your artist statement?

 
Art is my passion, religion and salvation. It is my way of surviving and coping. I paint what I feel, when I feel, although most of my works are considered “surreal” in style by many, my work is actually my “reality” and my perception and creative expression of my life and my interpretation of my environment and the lives of others around me. There is no “correct” way to conclude the meaning behind my work as it is meant to reach inside of you and for you to decide how it relates to your soul, your life, your experiences. I love to paint, I cannot imagine my life without it, nor do I think I would have survived without it. Painting is my true “freedom” as I can say whatever I want without restriction. I can express myself when words are at a loss. The stories behind my works are many; I would love to hear how my works may relate to your stories.


H. Ruiz - Who's That Lady

Which is your favorite work of yours and why?
 
This is almost impossible to answer, every work of mine is a part of my "story" my soul, my heart. I have done quite a few series, for now I am working on The Game of Life series...you can see my works here: http://heleneruiz.redbubble.com.   I would say for right now, this series would be my favorite.


What is your favorite thing you've purchased in the last 30 days and why?
 
Without thought I can answer this one! Art supplies.  I always love buying art supplies because it is painting and creating that makes me happy and is my means of expressing myself.  If I were given a thousand dollars to just go shopping, you would find me in one of my old dashiki dresses, in an art supply store shopping, shopping, shopping...
H. Ruiz - Urban Still Life Con Platanos


What do you think about "The Scream" auctioning @ $120 million on May 2nd?


H. Ruiz - All American Carnival
I just think it is like the old story always goes, most of us artists never see our profits, it is usually after we are dead and gone. While we are here, we struggle and go unnoticed ...then all of a sudden, someone notices and makes big money off all the artists’ hard work and soul.... sighs



One hundred years from now, what do you want people to think/ remember about you?

That I was not scared to paint what I felt, ever. I mean, it is really our only real freedom, even if a work is censored and never given opportunity to be seen, we at least felt free painting it.





Wednesday, July 25, 2012

Joas Sebastian Nebe, Today on The Wrighter


Joas Sebastian Nebe's version of "The Scream"
Today’s featured artist in the self taught, multiple discipline Hamburg born artist, Joas Sebastian Nebe.  From the looks of Nebe’s CV, he is one insanely busy artist! 

Some of Nebe’s noted exhibits include:

·         Intrude Art and Life at the Museum of Modern Art in Shanghai in 2008, where Santiago
Capriccio, a short epilogue to the Philosophical Cartoon cycle, playing upon the “4th
Dimension” Video was chosen to be one out of 100 non-Chinese artists to be displayed on
public video screens in Shanghai.

·         The film "Climate Change Cartoons" - part of the exhibition "Letters from the Sky" which accompanied the Durban UN conference on Climate Change 2011 in South Africa

·         "Machine Fair"- a film about the mechanical site of a metropolis- has been shown at Museum of Modern Art, Moscow as part of "Now & After" screening in 2012

Joas Sebastian Nebe
What is your artist statement?
 
I am on an adventurous trip to the heart of communication with all its difficulties and uncertainties.  I am researching the "secret life" of the image itself.

I start from the outer shell, e.g. the people I meet, the architecture, the infrastructure of a metropolis like St. Louis, Chicago or Berlin etc...  I take images or shoot sequences which I change in post production. The image itself is only the shadow of the meaning which is contained in it and which I want to bring out. Because images are not only showing this house or that person. Images are not only more or less intended compositions. They have their own life which is still waiting to be discovered.  In order to find this hidden meaning/this "hidden picture life," I make my way through the different meanings of the sequences/images I shoot walking through the streets and meeting people. By changing these images/sequences I explore how the "life of images" works. 
 

Which is your favorite work of yours and why?

My favorite work is the film series called Totem Toons (http://www.jsnebe.de/film7.html) because in these films I combine the spiritual power of the totem originating from the Native American culture with the materialistic aspect of small town architecture. The films are cartoons made of photographs, which I shot in Wyoming and South Dakota.
 
 What is your favorite thing you've purchased in the last 30 days and  why?
 
My favorite thing is a book about the architecture of New York City in the 1960´s. The book describes the invention of a new rule in city planning which finally made contractors build towers in different shapes and forms, because they conceived only the city´s planning commission´s permission to build skyscrapers higher than the old buildings on the property, if they reduced the bulk of the building to 10 or 20% of the total amount of the property. This is interesting because it shows how an idea can take influence on reality and shape a whole city.   
 
 What do you think about "The Scream" auctioning @ $120 million on May 2nd?
 

Well, The Scream is one of the very influential paintings of the last century because it seems to conceive all bad experiences humans had to make during the 20th century. Regarding this the price is maybe adequate.
Joas Sebastian Nebe

 One hundred years from now, what do you want people to think/ remember about you?  

I want people to remember my work as one of the first to explore how images produce their "own" meaning, the first one to show the "secret life of images".  I want them to understand that my work is a kind of philosophical entertainment.  And that my work is fun. 


To view more of Nebe’s work, go to: http://www.jsnebe.de




Monday, July 23, 2012

Michael Kenna Photographs @ Joseph Bellows Gallery




On Saturday, July 21st, the Joseph Bellows Gallery introduced the exhibit of photographer Michael Kenna’s work.  The exhibit runs from July 21st to September 8th.

After taking a peek at some of the work exhibited on the Bellows website, I fell in love with his work and aesthetic.

Kenna primarily concentrates on uninhibited landscape, so of course the absence of evidence of human occupation naturally creates radically peaceful compositions.

According to information from the Bellows website, Kenna “uses long exposures taken either at night or at the beginning or end of the day, to enhance the texture and mood of his subjects.”

Using time of day as a tool in his arsenal allows Kenna to play tremendously with light and shadows.  The time of day drastically dictates the mood in an environment and Kenna, it seems, likes to shoot at the most haunting moments.

Kenna himself compares his photography to haiku.  An interesting comparison.  Though I believe most of Kenna’s work is spot on with his poetic comparison, I don’t believe all of it qualifies for placement in this category.

The majority of his work is quiet, silent even, but others like his photograph titled, “The Bund, Study 1” taken in Shanghai, China in 2011, is nowhere near quiet, silent or minimalist.  It’s actually quite the opposite, full of light, movement and human occupation – in the extreme.


From what’s shown of the photographs exhibited online, my favorites are “Hungshan Mountains, Study 26” which reminds me of a life changing adventure – the type you write books about.

There is one in the Huangshan Mountains that feels quiet and peaceful, beautiful and haunting.  I’m a HUGE fan of quiet trees.

There is a photograph titled “Seaweed Farms, Study 3” taken in Xiapu, China in 2010 that looks like it was shot from a plane… or a cloud.  It’s simply beautiful.

The most severely interesting one to me comes from the “Seaweed Farms.”  It looks almost like a fabric pattern or something you’d see under a microscope – some exotic virus.

Joseph Bellows Gallery is located at 7661 Girard Ave., La Jolla, CA 92037.

To see more of Kenna’s work exhibited at Bellows, go to www.JosephBellows.com.
Note: The photographs I’ve described in this post are different from the photographs posted.

Friday, July 20, 2012

Theater 9 Tragedy: That could have happened anywhere

We go to the movies all the time.  In fact, some of us (me) like to make sure we get to the movies right on time because we don’t even want to miss the previews (sometimes it’s best part of the movie).  I was just thinking about taking my daughter to see Brave yesterday.  In hearing about the horrible tragedy of the 24-year-old man in Aurora, Colorado at the Century 16 Movie Theater, gassing and shooting into a crowd who were watching the latest Batman movie, I was shocked and sickened and deeply troubled.

That could have happened anywhere.  I thought, it could have been anyone of us.  It could have been me or my daughter in a theater, shot in the back and legs as we tried to flee the gunman.  As of right now, 12 people are confirmed dead.   

Because some of the movie goers arrived at the theater in costume, the gunman, James Holmes, drew no attention to himself wearing all black and a gas mask, carrying multiple weapons.  It was reported that Holmes shot indiscriminately into the crowd at people trying to leave the theater, shooting as he walked down the aisles, saying nothing.  Even a 6-year-old was shot.  According to NBC news, the oldest victim was 45.

To the survivors of this horrific event, my heart applauds and celebrates for you, for thinking on your feet and making it out alive.  To the injured, get well soon, and get mental treatment if you need it.  Please don’t give Holmes the power to control your life.  To those who lost loved ones at the hands of Holmes, I am deeply sorry, and I am in hopes that over time, your love and memory of the one(s) you’ve lost will compel you to erect your own monuments (physical and symbolic) to preserve and inform of the impact they have had in the world.
Let’s take a moment today to think of them.

Tuesday, July 17, 2012

Today's Artist: Rooma Mehra

Today’s Featured artist is poet and artist, Room Mehra, who currently lives in India.  Today she shares not only her art, but her poetry as well.  An artist after my own heart…


Scream

by Rooma Mehra


Sometimes

the best sound

the ear can hear

is silence…



And then

Sometimes

it is not

because

sometimes

silence

speaks volumes

of what was kinder

…unheard…



And while

such volumes

are indeed wiser

..heard..

this perishable humanity

would be better off

with kindness

that stems from

courageous anger

than wisdom

born of disillusionment

and cynicism.



So, thank you, dear Lord,

for those umpteen bystanders

who stand and stare

in silence

because they understand

so well

what is good



And what is bad

..for them..



Amen…

  Rooma Mehra’s artist statement (Excerpted from Saffronart.com):

Rooma Mehra is an artist who has faith in the power of nature, God and positive energy of life. "Expect a miracle. Have faith and hope. Because night is darkest just before dawn.. and you or I do not hold the brush that colors the night and the day. Just expect to wake up to one miracle morning, as an unreasonably happy person. It will happen inevitably when you have reached the end of your tether. When God and peace have begun to appear like bleak dreams that only fools believe in. Dream of that morning, it will come." This artist statement elucidates her beliefs. 

This belief resonates in Mehra's works, whether it is her paintings, drawings or sculptures. Her style is fluid and colors vibrant echoing her positive attitude. She is not restricted by styles or palette each work reflects her individuality and her perception of the subject.
 


 Which is your favorite work of yours and why?

It is very difficult to find a favorite work among my own.  They are all my babies.  Am posting two of my very diverse works which have been liked unanimously.


 What is your favorite thing you've purchased in the last 30 days and why?

Well! Day before yesterday, my boy Friday (he looks after my house and my doggie Caesar in my absence) made a painting of Lord Ganesha which I bought.  Just love it. And loved the look of happiness on his face even more.


 What do you think about "The Scream" auctioning @ $120 million on May 2nd?

I do not like to gauge art by the money paid for it. Just hope somebody paid so much for love of the painting and not for future investment.

To view more of Mehra’s work, go to: http://roomamehra.com/

 One hundred years from now, what do you want people to think/ remember about you?

Wow!  Haven't thought that far.  I hope I am remembered as someone who made a difference.





Thursday, July 12, 2012

“If I say I’m going to do it, I’m going to do it.”


Lately, my daughter has been very upset with me because I have told her I’d do one thing and then went right on and did another.  “You have to be flexible,” I told her.  “Sometimes plans change” I said.  Although, in a sense, I was right, one should learn to navigate this life with a supply of flexibility as things don’t always turn out as we plan – no matter how you slice it, I failed to live up to my word. 

 As a general rule, I don’t use the word “promise.”  It’s too concrete.  Too contractual.  It leaves no wiggle room for error.  Instead, I say, “If I say I’m going to do it, I’m going to do it.”  What I’ve realized is that there are some things, I should just refrain from saying I’m going to do.  And then, when I back away… no one gets hurt…

Today’s post if an essay from ETR’s Craig Ballantyne about following through with your word.  It’s something we all know, but should all hear again every once in a while to keep us on task.  Enjoy.


Do All That You Say You Will Do... And More

By Craig Ballantyne

 My mother is not the type to get upset (that was my father's forte). But I could sense the irritation in her voice when I asked, "How's your new house coming along?"

It had been over three weeks since I last visited the farm, and, unfortunately, there had been practically no progress made on her new house. She listed the excuses she had been given from the contractors, her voice full of exasperation.

Later that afternoon, Bally the Dog and I went for a walk from the current farmhouse over to where the driveway had been laid for her new home. It was less than a mile walk over the stream, through a cornfield, and up a hill. There we found the grounds to be almost exactly the same as they were last month. The foundation had not even been poured.

I could see why she was so disappointed. When the project was initiated, she was assured of a move-in date of July. Now it's looking like September at best.

This was a classic case of a business over-promising and under-delivering and thus failing to meet the expectations previously set in my mother's mind. This is one of the biggest, most common communication mistakes that people make on a daily basis.

How many times has someone promised you the following and then left you waiting?

"I'll be home by seven o'clock."

"I'll have that report on your desk by the end of the day."

"I'll call you back in an hour."

Or worse, how many times have you been the one making false promises? How many times this week? How many times today?

It's a mistake you can't afford to make, not when you want to build long-term relationships with clients or colleagues.

Instead, you must use the "make a promise-keep a promise" system. That's the formula for success. That's the equation for deep relationships.

Make a promise. Keep a promise. It's so simple, yet day-after-day we see businesses, politicians, and spouses all over the world drop the ball on this.

In your family life, you simply need to do all that you say you're going to do. If you promise to be somewhere at a certain time to do something, you must fulfill your obligation. And, just as important, as self-improvement legend Jim Rohn advises, "Wherever you are, be there." That means not being engrossed in your smartphone while at the park with your children or, the ultimate disrespect of all, texting while having dinner with someone. Either don't promise to have that dinner or have the patience and courtesy to wait until later to send your phone messages. Make a promise to be there, and keep it.

In your business, do all that you say you're going to do. Honor your contracts. Deliver on the promises made to your customers, suppliers, and partners. Avoid the temptation to over-promise and under-deliver. Be clear in your offer and make sure to avoid overextending yourself in the process. If you know you can't deliver on a promise, don't sell it. That mistake will only cause you a nagging headache and dent in your reputation.

Finally, use the same "make-a-promise, keep-a-promise" system on your website. The truth is, it was from an online business expert that I first heard this method so eloquently phrased.

Several years ago, my friend Paul R. came and spoke to my Mastermind group. He shared his system for converting leads into sales, and it all came down to the keeping the promises that he made, one webpage at a time.

When his prospects landed on the first page on his site, Paul showed them a short video which made a simple promise. After visitors entered their email address, they were directed to a page where Paul over-delivered on that initial promise. And so on and so forth. Every communication between Paul and his prospects - and the customers that they soon came to be - started with a promise and ended with Paul delivering on that promise.

He never failed to keep his word and meet their expectations, and that's why he's grown a seven-figure business in a unique niche (one that most people think wouldn't be profitable). It's all been built on the power of doing what he says he will do, and more.

That's how you build relationships the right way, from day one, so that you never lose your prospect's faith. And so you can avoid disappointed customers, like my mother.

Fortunately, and better late than never, the contractor called my mother and said that everything was now back on track. They would be getting to work on the foundation of the house early next week. (So I hope to have a much better update for you next month.)

But that relationship is permanently damaged. She'll never have the same level of trust in the contractor as she did when he first made his promises.

Don't let this happen in your life or business.

And don't let this happen in our relationship, either. Should I ever make this mistake and not deliver what you feel has been promised to you, let me know immediately so that I can fix the situation and minimize the damage.

Hold me accountable. If we are not delivering on what you feel we promised you, then I need to hear from you. Our goal is to help you and deliver the exact steps to succeed with your online business, to improve productivity in your day, to help you take action and overcome the obstacles in your way, and to simply help you lead a life well lived. Those are our promises to you, and we are doing everything we can to keep them.

So put yourself on the line. Make your promises, keep your promises. Over-deliver value and exceed the expectations of everyone you deal with in life.

As my friend Bedros Keuilian teaches, "You need to over-deliver, give faster results than promised, and become the go-to leader for your market."

It all starts with doing what you say- and more.

We can all do better. Let's start today.


Wednesday, July 11, 2012

Self Taught Artist: John McLaughlin

Feathered Look - J. McLaughlin
Today's artist is Detroit native and self taught artist (my favorite kind of artist) John McLaughlin. I'm really happy because he has submitted his version of "The Scream."  He calls his, "Feathered Look."

What is your artist statement?

My painting and drawing process is a delicate balance of skill and intuition. A fluctuation of control and careful planning, along with letting go, allowing for surprises, then bringing it all back into a state of focus. There are many layers to my painting and drawing activity, from the idea/germination stage, to developing the concept, the selection of color, medium and creating the "surface" reality. This leaves a combination of scribbled marks along with more thought out drawing. It is an inward journey, wrestling with the muse, seeking the unknown, and expressing emotions that are often without definition. Being a self taught artist I draw upon a multitude of life experiences for my style and subject matter. From known natural objects to the unknown forms and figures. I find beauty in the mystery and undefined, all of which somehow seem to have a purpose for me that demand to be created.
Cell Phone Lot - J. McLaughlin


Which is your favorite work of yours and why?

My favorite work always seems to be the latest piece that I have finished. I guess this keeps me always wanting to create anew. So I’ve submitted a recent painting and a drawing. "Cell Phone Lot" is a painting/drawing 36x48 on canvas. "Global Position" is a 9x12 pencil drawing on paper.


Global Position - J. McLaughlin
What is your favorite thing you've purchased in the last 30 days and why?

My favorite thing last purchased would be the book "Zen and the Art of Motorcycle Maintenance" by Robert M. Pirsig. I've always wanted to read this and never got around to it. I'm enjoying it.


What do you think about "The Scream" auctioning @ $120 million on May 2nd?

"The Scream" is a great painting. And well deserving of the accolades. But the $120 million sale is totally ridiculous. This is just the New York insiders art world people and their money game. It doesn't reflect how "good" the art is, it reflects how much money someone is willing to pay for it. This is the way it works and will never change. And it's all good.... It just would be nice if the money was spread around a little more.


One hundred years from now, what do you want people to think/ remember about you?

One hundred years from now people will be saying, Damn, why didn't I buy John McLaughlin's art when it sold for only a few hundred dollars. Some wise people already have.

To see more of John McLaughlin's work go to: http://www.drawinghermit.com.