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Saturday, December 29, 2012

Featured Artist: Brandi Couvillion


Today’s featured artist is Brandi Couvillion. Being as fascinated with jewelry as I am at this time in my life, I think I’ve just fallen in love with her work!

 Where are you from? 

 I hail from New Orleans, which has a significant influence in my work
 
Is there any particular event(s) that drew you to the art world?

 My creative side has always been inspired by the built environment around me and the various states of its decay, as well as the fleeting ephemera we fail to appreciate each day. 

 
Who is your favorite artist? Why? 

 Cornell and Rauschenberg are inspirations, as well as Ersy who also lives in New Orleans.

 What medium and subject matters do you gravitate towards? 

 
My mixed media and jewelry lines are composed, quite literally, of lost fragments from the past - from remnants of porcelain shards and Victorian era shoes to porcelain dolls excavated from old world privies with a local salvage expert.
 
What I try to capture in my artwork is some of the sense of cities throughout the world in the process of becoming a ruin, of present fading into history.  All the while, the past is present....

 
What are your interests outside of art? 

 I thrive by travelling, exploring, preserving architectural history, meeting new people and enjoying the ones that are close to me.
 

The work shown in this post is currently being shown at Couvillion’s studio and at The Ogden Museum of Southern Art.
 




Friday, December 28, 2012

Tune From S.I.N.E. Crew @ Circus Terminal THAILAND

video


Tune





While in Chiang Mai one of the first artists I had the opportunity to interview was Nguyen Anh Tuan, known on the streets and by his peers as,Tune.
"Like a melody," he assures me.
 
Always ready to smile, Tune is a street dancer from the S.I.N.E. Crew from Hanoi, Vietnam. In S.I.N.E., (Saying Is Not Enough) there are over 30 dance members.
 
"It's more like a community than a crew," Tune says.
 
According to Tune, the crew combines several different street styles including hip-hop, b-boy and locking. While in Chiang Mai, Tune, also taught dance workshops at to children at the Prem Tinsulanonda International School. Two years ago, studying to become a software engineer, Tune quit school (to the horror of his parents) to pursue dance full time. His parents began to warm up to the idea when they were able to see what Tune was able to accomplish. Although Tune has only been street dancing for two years and has only been with S.I.N.E. Crew for three months, opportunities are already falling at his feet.
 
 
"I'm just lucky," Tune says.
 
Discovered in Lennon Park in Hanoi, Tune later found himself teaching homeless children how to dance with the help of Jerry Snell, director of Collision Arts Asia. 
 
The school that Snell created for children also teaches circus skills, which would come as no surprise after learning Jerry Snell Industries (JSI) whose interests along with New Circus Asia (NCA) are to bring Canadian-style new circus to Asia to satisfy a demand for high-tech, fast-paced entertainment. Tune also has a contract with Cartoon Network Asia to teach dance to children in Thailand, so he has been coming to Thailand from Vietnam once a month for two weeks, for the last three months. So what is Tune's dream for the future?
 
 
"My dream is that my friends and dance brothers teach all children in Vietnam to dance, and about Hip-hop culture to give them strength. Most [of the children] come from a non-peaceful background."
 
 
Tune (sans crew) performed a bit of freestyle alongside street dancers from Bangkok at the Circus Terminal Thailand exhibit at the Sangdee Gallery in Chiang Mai.
 
 
You can check out Tune's work on YouTube on his channel, VNDC (Vietnamese Dancing Channel) where he produces videos demonstrating a lot of the Vietnamese street dance scene and culture.

Wednesday, December 26, 2012

Circus Terminal THAILAND


Morning
 
The morning of Circus Terminal Thailand, Sangdee Gallery was buzzing with all the preparation with both local and international artists.
 
As the hours wound closer to show time, there didn't seem to be much tension  but there was definitely a lot of last minute labeling and mounting and PA prep.
 
I was able to interview a couple of artists who had shown up early, but as I asked how I could help, I kind of got that feeling like I was in the way.  So I scurried away.  To write.  To photograph.  To scout for new interviews.
 
When I finally was able to be useful to the curators, I was given the task of cutting artists' labels to be mounted on the walls aside the appropriate art work.  Eventually I found myself sitting across from a Thai woman who introduced herself as Ging (sounds more like Keen).      Her real name is Jamjuree Suktuy and she's an art student studying for her Faculty of Fine Arts in sculpting.  She is in her fourth year and has only a year left before graduation.
 
Jamjuree was also exhibiting with her mixed media piece titled, "I am here!  Chiang Mai." the piece is an elaborate map of Chiang Mai, Thailand.
 
Although language was a barrier between us, Jamjuree and I were able to communicate that we were willing to share an order of fries.  And when the fries came, we were able to stifle our laughter together at the fact that the serving size was so small that there was no way that those fries were going to satisfy our hunger.  Neither of us wanted to eat them so the other could have more.
 
It was a really great moment.
 
Evening
The evening of the exhibit



A nice crowd...

Entertainment

This is Ging!

And Ging again...

Me and Nok

 



Don't worry.  I'm not through with Thailand yet...
 

Wednesday, December 19, 2012

BACK!!


I’m back! 
Experiencing the local art and culture of Chiang Mai, Thailand was amazing, and I hope that I can remember every second of it!  Okay, maybe that’s a little dramatic and a little impossible but you get my point.  I feel like a different person and I’ve been inspired in all aspects of life.  My friends and family may not recognize me – like I’m some strange clone of my former self, who’s not quite… Kobina.

I expect this.

Just as I had said before, I’ll be posting articles about the trip a little at a time, though, posting right now is a little awkward because at the same time I have to get ready for the holidays, and all the other life stuff I’ve been absent from while abroad.  No excuses.  I’m actually excited to tell you all about the Circus Terminal THAILAND exhibit and the events around my residency in Chiang Mai. 

The only reason I’m not making today the first day to start is because I’m having a bit of an issue downloading all of my pictures, and I want to provide pictures.  I took LOADS of pictures!  So I’m hoping you can wait another day while I get my act together.    I just couldn’t stay away though.  I had to at least let you all know that I’m back and ready to create and hopefully inspire something in you as well.  I mean, that’s what I’m supposed to do… right? 
One thing I want to encourage, while I have your attention, is to be creative this holiday season.  Put a rubber band around your wallet and think more along the lines of the quality and meaning behind the gifts you give rather than the quantity (or price).  You’d be surprised at how much stress is alleviated with this kind of thinking.

Until the next post…. 

Monday, December 10, 2012

Blood Orange (a poem)


 
 

South of topaz skies
an orange desert grove of villages commune
and absent-mindedly nurse
a sore burning where
claims of innocence of youthful summers
waters in the corners of
lips soaked in desire


The family sliced into sections
concentrated in a cup that
provides no vitamin healing for
its third degree blisters
offers no icy citric peace
for excruciating pain


Rounds of bitter nectar spill onto
an eight-letter word we’ve not heard
since Rwanda
It’s blandness heightened with
pasteurization, lingering on
the blind-spots of our tongues
 

Support trickles in through
filtered messages printed on cotton
Camps pulpy from more terror than refuge
with the dehydrated
conscious enough to hope
to drink from life
 

They clutch their bowls and squeeze
blood and sandy tears for
fresh help

Monday, December 03, 2012

Sometimes Most Times


 

Lemony clouds envelop me sometimes
A puffy blindfold
sometimes
of mind’s sight sometimes

 
The biggest most innocent eyes
I’ve ever seen reminds me
most times
of my blindness
sometimes
but malleable
most times
shifts
sculpting
 

Attention captures love
and guts me
sometimes
by temporal carnality
I ponder through tears
most times
thrashing out of water
sometimes
we’re black magnets
Clinging